The Moral/Economies issue asks what is ownable, who owns, who owes, who makes, who takes, what is work, what is worth? What is a fair price, and who pays it? Is a given transaction a theft, a trade, a gift? If the arid abstraction of “economics” relentlessly flattens this complexity into two dimensions, the notion of “moral economy” demands, in the words of historian Nell Irvin Painter, “a fully loaded cost accounting” that considers the true price of any exchange—free, coerced, or somewhere in between.
“Questions of distribution, extraction, care, labor, production, reciprocity, and subsistence rest upon moral assumptions: what is fair, who owns, who owes, who makes, who takes, what is work, and what—who—is property.”
“At every turn, those of us withstanding the storm were expected to act as though what we were up against was scarcity while the evidence of our abundance was plain to see.”
“White families always have been far more likely to hold the type of assets—homes, stocks and bonds, retirement accounts—that tax expenditures reward.”
“Black southern literature is one of the few places where one can find resistance and survival articulated on Black southerners’ own terms.”
“Hurston theorizes southern interracial relations by giving it the language and structure of the ‘Pet Negro system’—a network of allegiances, allowances, and betrayals that shape the lives of Black and white southerners.”
“The migration practices of my family (which mirrored that of other compatriots) between Mexico, Texas, and Georgia in the 1990s illustrate the entanglement of labor and familial migrations with a regional expansion of ethnic migrant economies.”
“When the Immigrant Alliance for Justice and Equity came along, we got the chance to work together and ensure our voices were heard, just like our precedents who fought for our freedom and our rights.”
“Who would open a new textile mill in the United States in this day and age, when most production had long since left the country and the remaining mills were hanging on by a proverbial thread?”
“Learning through the documentary was very different because we were engaged. It wasn’t just ‘climate change is happening.’ It’s happening in our backyards.”
“The top of it is all we can see most of the time, but any true understanding of what we’re viewing tells us there is much, much more beneath the known surface, the still waters.”
“flurry of flight, sister untamed. I still remember the day I walked warm . . .”
We’re gearing up for our 30th anniversary by doing what we do best: bringing cutting-edge scholarship together with photography, memoir, creative nonfiction, and the arts—to tell the whole story.
Click here to receive 30% off a subscription!
