"Emmylou Harris's post-Parsons work is a celebration of complicated grief, casting about for ways to both 'move on' and stay faithful to the past."

The American South has always been a mythic land of contrast and juxtaposition—black and white, rich and poor, mountaineer and planter, hospitality and violence, unregulated development and a sense of place, greed and grace, illiteracy and great writing—and it remains so today. One of the more intriguing paradoxes is the image of the South as the Bible Belt, a place where fundamentalist zealots constantly damn deviant behavior, and as the land of the honky-tonk, a place where good ole boys and girls push the limits of drinking, dancing, dalliance, and debauchery.