Tag: Photography

Front Porch: Built/Unbuilt

Front Porch: Built/Unbuilt

Tom Rankin

Front Porch essay for the Built/Unbuilt issue.

Living, Being, and Doing

Living, Being, and Doing

Lisa McCarty

Over the course of eight years while living in North Carolina, photographer Lisa McCarty visited Lake Eden, former home of the renowned experimental art school Black Mountain College. McCarty writes, "My motivation was never to repeat what the original students made, and I never expected to see exactly what they saw. However, I did want to feel something of what they felt, to be a part of natureculture. When I go to Lake Eden with my camera, I can, and I do. I become sensitive to everything." Between 1933 and 1957, Black Mountain's roster included Josef Albers, Anni Albers, Ruth Asawa, John Cage, Merce Cunningham, Buckminster Fuller, Elaine de Kooning, Willem de Kooning, Gwendolyn Lawrence, Jacob Lawrence, Barbara Morgan, Robert Rauschenberg, Cy Twombly, Susan Weil, and Marion Post Wolcott. Many of these artists are now part of the canon of American art and literature, and it is often the knowledge that many of them lived and worked together in the same place that sparks curiosity about the school. But despite the visceral effect of this specific place on a wide range of students, faculty, and even the subsequent admirers of the school that tour Lake Eden today, the importance of environmental stewardship and reverence at the College are often footnotes in its history.

When Trees Are Dying

When Trees Are Dying

Gesche Würfel
Take Me to the River

Take Me to the River

Grace Hale

A new installment of our Shutter series on photography to accompany Southern Cultures’s special “Human/ Nature” Issue. Grace Hale discusses the work of artist Dave Woody and his photographs of the James River around Richmond, Virginia.

Snapshot: The Land, 2018

Snapshot: The Land, 2018

Timothy Ivy

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Quicker than Coal Ash

Quicker than Coal Ash

photos by Will Warasila, introduced by Anne Branigin

The people of Walnut Cove, North Carolina, live in the shadow of Duke Energy’s Belews Creek Steam Station, where toxic coal ash is kept in a massive unlined storage pond, and toxins are pumped into the air, water, and soil. “Quicker than Coal Ash” depicts the slow violence of coal ash and its effect on the residents, the landscape, and the structures of energy and power. The harm done to the land and its residents is invisible. Nevertheless, this series of photographs attempts to address that harm. Anne Branigin’s introduction to these photos explores the history of coal ash in North Carolina, connecting it to broader environmental justice struggles across the United States. Walnut Cove is far from alone. But despite the massive amount of coal ash the United States produces each year, not enough is known about the health impacts on neighboring communities, also known as “sacrifice zones” or “fenceline communities.” Often, the residents of these areas are politically and socially marginalized: people of color, economically disadvantaged, and too often ignored.

Snapshot: Fish Display, 2014

Snapshot: Fish Display, 2014

Richard Knox Robinson

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Snapshot: Jean Hooper, 2018

Snapshot: Jean Hooper, 2018

Justin Cook

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Snapshot: Water Treatment, 2020

Snapshot: Water Treatment, 2020

Monique Verdin

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Louisiana Trail Riders

Louisiana Trail Riders

Jeremiah Ariaz

Black trail-riding clubs have their roots in Creole culture that formed in South Louisiana in the eighteenth century. Today, trail rides are an opportunity for generations of people to gather, celebrate, and ride horseback. The riders form a distinctive yet little-known subculture in Southwest Louisiana, one that exists in stark contrast to most depictions of cowboys and serves as a reminder that Black equestrian culture stems from a time when the Louisiana Territory was in fact the American West. Black riders across the country have received greater prominence with the rise of Black Lives Matter and have taken the reins of a symbol long associated with independence and power.

Snapshot: Two Sides to Every Story, 2014

Snapshot: Two Sides to Every Story, 2014

Aaron Turner

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Snapshot: Haiku, 2019

Snapshot: Haiku, 2019

RaMell Ross

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.