A new installment of our Shutter series on photography to accompany Southern Cultures’s special “Human/ Nature” Issue. Grace Hale discusses the work of artist Dave Woody and his photographs of the James River around Richmond, Virginia.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
The people of Walnut Cove, North Carolina, live in the shadow of Duke Energy’s Belews Creek Steam Station, where toxic coal ash is kept in a massive unlined storage pond, and toxins are pumped into the air, water, and soil. “Quicker than Coal Ash” depicts the slow violence of coal ash and its effect on the residents, the landscape, and the structures of energy and power. The harm done to the land and its residents is invisible. Nevertheless, this series of photographs attempts to address that harm. Anne Branigin’s introduction to these photos explores the history of coal ash in North Carolina, connecting it to broader environmental justice struggles across the United States. Walnut Cove is far from alone. But despite the massive amount of coal ash the United States produces each year, not enough is known about the health impacts on neighboring communities, also known as “sacrifice zones” or “fenceline communities.” Often, the residents of these areas are politically and socially marginalized: people of color, economically disadvantaged, and too often ignored.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
Black trail-riding clubs have their roots in Creole culture that formed in South Louisiana in the eighteenth century. Today, trail rides are an opportunity for generations of people to gather, celebrate, and ride horseback. The riders form a distinctive yet little-known subculture in Southwest Louisiana, one that exists in stark contrast to most depictions of cowboys and serves as a reminder that Black equestrian culture stems from a time when the Louisiana Territory was in fact the American West. Black riders across the country have received greater prominence with the rise of Black Lives Matter and have taken the reins of a symbol long associated with independence and power.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.