“That Which We Are Still Learning to Name”
This essay compares two photographs that depict two pairs of Black women. The first image is undated with subjects not identified; the second image features the late artist/architect Amaza Lee Meredith and her partner, the late educator Dr. Edna Meade Colson. As part of a reflection on travel, love, and intimacy, each photograph serves as a conduit for reckoning with the complexity of a Black southern female subjectivity, one in which queer romance and desire might be centered. Both images prompt reflection on lives lived, in some ways, beyond the legibility of normative expectations.
