
Protected: State Visions
North Carolina Regional Planning in Richard Saul Wurman’s The Piedmont Crescent (1968)
by Martin JohnsonThere is no excerpt because this is a protected post.
There is no excerpt because this is a protected post.
There is no excerpt because this is a protected post.
With deepest gratitude, we dedicate this issue of Southern Cultures to Dorothy Allison (April 11, 1949–November 6, 2024) and Minnie Bruce Pratt (September 12, 1946–July 2, 2023), two paragons of the queer South. Lesbian artist-activists, Allison and Pratt showed us the power of queers in the region. They questioned power structures, racism, and patriarchy, and fought for »
On the cover and throughout the issue, we’re pleased to present artwork by Austin-based artist RF. Alvarez (b. 1998, San Antonio, Texas). His figurative paintings are characterized by nocturnal color pallets and evocative scenes that blend personal memory with romantic allegory. Using a process of dry-brushing paint onto raw linen—and borrowing stylistic techniques from Old »
In 2017, I was knee-deep in queer southern literature. Unbeknownst to my colleagues and students at the University of Mississippi, I was building a stock list for Violet Valley Bookstore, Mississippi’s only queer feminist bookshop, which I planned to open in November of that year. I was teaching a syllabus I’d developed for a graduate »
I seeped out of a middle-passage wound, a continental Africandescendent of the un-took. Immigrant,in search of lost lineage. I dove into the AtlanticIts unending Blackness—turbulent & queer.
“That’s some part of Queerness, isn’t it? Reaching out and reaching out and wondering about and learning from each other.” Yesterday, Sunday, February 7, I was working at a coworking spot here in Durham. My wonderful friends and colleagues at my teaching job got me a subscription to this place for my fiftieth because my »
“Having spaces where Black queer people feel affirmed and safe is essential, and some participants decided to leave their church when they didn’t feel safe and affirmed in them.” My story of queer becoming was a communal affair. After the fallout from coming out, the tears, and the imagined casting out of my queerness, there »
“I speculate about the differences between legal processes of adoption and the conscious (as well as, at times, unconscious) practices of adopting because such practices shape our lives and become the narratives that articulate our stories.” During my first Thanksgiving away from home since I had moved to San Diego for graduate school, my mother, »
“I don’t want the only option for committed relationships to be reserved for a two-person sexual and romantic partnership . . . I want to belong to a community that embraces more options.” One evening in March 2024, I attended a cabaret fundraiser presented by the Common Woman Chorus, a Durham, North Carolina LBGTQ+ choir, and hosted by »
“I realized that what fascinated me went beyond the historic record to the lifelines—indeed, the life stories of those who made and continue to make queer Atlanta.” I moved to Atlanta from Mississippi in July of 2011 to attend graduate school. In the fall of 2018, I began to teach at nearby Oxford College. My »
“She saw seven men in suits and her roommate, who mouthed, “It’s the F-B-I.” In 1973, Vicki Gabriner lived in an Atlanta lesbian collective house at the corner of Euclid Terrace and Euclid Avenue. The house in Little Five Points had an ornate glass window on the front door and was one of a handful of neighborhood »