Photographs by Richard Knox Robinson.
A new installment of our Shutter series on photography to accompany Southern Cultures’s special “Human/ Nature” Issue. Grace Hale discusses the work of artist Dave Woody and his photographs of the James River around Richmond, Virginia.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
This article is a critical reflection that explores the histories of water, marronage, and Black placemaking in the southern United States. It uses insights from history, ethnography, and cultural geography to connect the dual histories of racial slavery and environmental degradation in the Tidewater region of Virginia and the Mississippi Delta. This essay argues that, during slavery, swamps, bayous, rivers, and wetlands were geographies in which a fleeting Black commons could be sustained hidden away from the violence of the plantation. These same ecologies are now under extreme duress from coastal subsidence, the petrochemical industry, and climate change. This reflection argues that by charting the meaningful cultural, spiritual, intellectual, and practical insights of Black southern communities, an alternative ecological practice born of maroon imaginaries might be developed that could resist the degradation of these vulnerable southern ecologies.
For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.
