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Vol. 16, No. 3: Roots Music

Fabor

by Jocelyn R. Neal

from the forthcoming novel Nashville Chrome by Rick Bass

The mid-1950s in popular music resembled the Wild West. New sounds, new styles, and new business models collided with a teenage audience that had unprecedented buying power. As those forces converged, popular music entered about a half-decade of uncharted territory where shady businessmen exploited ambitious but naïve musicians while the throbbing pulse of rock ’n’ roll destabilized the traditions of both pop and country music.

This article appears as an abstract above, the complete article can be accessed in Project Muse
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