Susan Harbage Page’s portfolio, Longing: Personal Effects from the Border, is an intervention—at once aesthetic, archaeological, and archival—into the spaces and objects associated with the great migration north across the Rio Grande and into the United States. Page’s images are visual conversations about the material culture of the immigrant experience and compel us to consider how we see ourselves through seeing others. Images of a deflated inner tube dropped by the road, a wallet mired, its contents spilling into the mud, footsteps revealed in soft earth, and river-wet clothes wrung, wadded, and cast aside document ordinary things possessed with extraordinary associations of flight, hope, panic, determination, and fear.