April 22, 2021

Snapshot: The Land, 2018

by Southern Cultures

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Quicker than Coal Ash

by Southern Cultures

The people of Walnut Cove, North Carolina, live in the shadow of Duke Energy’s Belews Creek Steam Station, where toxic coal ash is kept in a massive unlined storage pond, and toxins are pumped into the air, water, and soil. “Quicker than Coal Ash” depicts the slow violence of coal ash and its effect on the residents, the landscape, and the structures of energy and power. The harm done to the land and its residents is invisible. Nevertheless, this series of photographs attempts to address that harm. Anne Branigin’s introduction to these photos explores the history of coal ash in North Carolina, connecting it to broader environmental justice struggles across the United States. Walnut Cove is far from alone. But despite the massive amount of coal ash the United States produces each year, not enough is known about the health impacts on neighboring communities, also known as “sacrifice zones” or “fenceline communities.” Often, the residents of these areas are politically and socially marginalized: people of color, economically disadvantaged, and too often ignored.
April 21, 2021

Snapshot: Fish Display, 2014

by Southern Cultures

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Mulberry Season Again

by Southern Cultures

This essay reflects nature’s importance in coping with the isolation caused by the COVID-19 pandemic. The economic shutdown and public health crisis inspired many people to reconnect with the natural world, which is also in turmoil because of climate change. The essay explores the circles of life and death through a bountiful mulberry tree that grows in Maplewood Cemetery in Durham, North Carolina, near the grave of Leon Jeffers.
Feature article Mulberry Season Again

Snapshot: Jean Hooper, 2018

by Southern Cultures

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

The Knife’s Edge of Ruin

by Southern Cultures

This article uses largely untapped source collections to show how African Americans built movements for economic and environmental justice in Lowcountry South Carolina by the early 1970s. Looking at the area around Hilton Head Island, the essay starts by explaining how Black Gullah communities faced devastating land loss due to economic, legal, and demographic pressures. Into this context, the BASF company announced plans in late 1969 to build a petrochemical plant just west of Hilton Head. Although many Black leaders saw the plant increasing the purchasing power of their communities, others dissented out of concerns for industrial pollution’s threat to maritime industries. By June 1970, a temporary alliance between a Black fishing cooperative, white developers, and white retirees defeated the project. By studying these unusual alliances, this article helps explain how Black southerners shaped national debates about environmentalism even as Hilton Head became a well-preserved but exclusive landscape.

Snapshot: Water Treatment, 2020

by Southern Cultures

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Louisiana Trail Riders

by Southern Cultures

Black trail-riding clubs have their roots in Creole culture that formed in South Louisiana in the eighteenth century. Today, trail rides are an opportunity for generations of people to gather, celebrate, and ride horseback. The riders form a distinctive yet little-known subculture in Southwest Louisiana, one that exists in stark contrast to most depictions of cowboys and serves as a reminder that Black equestrian culture stems from a time when the Louisiana Territory was in fact the American West. Black riders across the country have received greater prominence with the rise of Black Lives Matter and have taken the reins of a symbol long associated with independence and power.

Snapshot: Two Sides to Every Story, 2014

by Southern Cultures

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

A Totally Different Form of Living

by Southern Cultures

This article is a critical reflection that explores the histories of water, marronage, and Black placemaking in the southern United States. It uses insights from history, ethnography, and cultural geography to connect the dual histories of racial slavery and environmental degradation in the Tidewater region of Virginia and the Mississippi Delta. This essay argues that, during slavery, swamps, bayous, rivers, and wetlands were geographies in which a fleeting Black commons could be sustained hidden away from the violence of the plantation. These same ecologies are now under extreme duress from coastal subsidence, the petrochemical industry, and climate change. This reflection argues that by charting the meaningful cultural, spiritual, intellectual, and practical insights of Black southern communities, an alternative ecological practice born of maroon imaginaries might be developed that could resist the degradation of these vulnerable southern ecologies.

Snapshot: Haiku, 2019

by Southern Cultures

For this short “Snapshot” feature, photographers selected one of their photographs and wrote a short reflection on what it shows us about the ever-shifting relationship between people and place in the South.

Malik Rahim’s Black Radical Environmentalism

by Southern Cultures

This essay examines the environmental thinking and activism of Malik Rahim, a member of the New Orleans chapter of the Black Panther Party, Green Party political candidate, and co-founder of Common Ground Relief, a grassroots mutual aid organization established in the aftermath of Hurricane Katrina in 2005. Rahim’s influences and career help illuminate an alternative history of Black environmentalism whose evolution runs parallel to the mainstream US environmental movement of the 1970s, but also diverges from it in terms of its primary concerns. Drawing from media accounts and extensive oral interviews, the article traces the development of Rahim’s environmental advocacy, locating him in a wider tradition of southern Black environmental justice activism.