“[T]he sweaty, aromatic ‘Bull Durham’ of old . . . existed even as today’s ‘City of Medicine’ was emerging.” The old saying “f/8 and be there” applies to these photos. In the early to mid 1980s, I was doing street photography in downtown Durham. Especially compelling was the warehouse district, home of the muscular, oversized »
Essay
“[T]his more complex tale of the origins of ‘Tar Heel’ shows that it is rooted in hard work by poor people, work that dirtied the bodies of both enslaved Africans and poor whites in the Piney Woods.” A New Explanation North Carolinians have long called themselves Tar Heels, and “Tar Heel” is a badge of »
“For American sectionalism was forged by the design of God, the North made into a ‘region of frost, ribbed with ice and granite,’ the South basking in the ‘generous bosom’ of the sun.” There was only “the North and the South,” William L. Yancey declared in 1855. Nullifying all geographical complexities and political nuances, the »
“He played the barn vents at curing time like the stops of an instrument, and went on, cupping his hands around the life he’d inherited as if it were a flame.” He clucked his tongue, slapped the bull’s rump, and turneda herd of Angus, single file, through the narrow gapin the fence to the bar »
“[B]y emphasizing military conflict over political debate, by privileging valor over ideology, and by accentuating white heroism over black activism, the Foote–Burns interpretation of the Civil War gave PBS’s mainstream American audience something to feel good about.” This year marks the twenty-fifth anniversary of filmmaker Ken Burns’s PBS television series on the American Civil War. »
“What, finally, do we make of this holy monstrosity, this poisoned cornerstone of American cinema? And what do we do about it?” By one way of reckoning, the week of February 8, 2015, can be called the 100th birthday of the medium with which many of us have spent our lives enthralled: the feature film. »
“‘It was the beginning of my every day walk with death for nine months.’” Most folks know August 28, 1963, as the March on Washington, but for me, it has another very profound meaning. It was the beginning of my every day walk with death for nine months—the start of Public School Integration in Fayetteville, »
“Cultivated not only by white architects of the New South creed but also civil rights activists across class and ideological strata, Atlanta’s image as the ‘city too busy to hate’ crumbled as its young Black residents were abducted and murdered.” On May 25, 1981, an estimated three thousand people convened at the Lincoln Memorial in »
“If the articles in this issue resonate with recent events, it’s less a choice or a coincidence than a sharp reminder that enduring themes in southern culture do not easily fade.” It’s a peculiarity of quarterly publishing that Southern Cultures is rarely of the moment. Every issue must be ready for the printer about four »
“People see in the events at Appomattox what they want to see: testimony to Americans’ shared greatness or testimony to promises unfulfilled. Both of those things are real.” The meaning of the events at the McLean House on April 9, 1865, seem firmly embedded in our national story. In our country’s understanding, Appomattox is America »
“Behind all those overspilling clouds, the moon catches light still and sends it to you, unbidden, but you would know to ask for it if it never came . . .” Let the past have its dominion tonight,let the winded rain blow in and shakewindows loose in their softening frames,
Photo Essay
“It is the sense of place going with us still that is the ball of golden thread to carry us there and back and, in every sense of the word, to bring us home.” —Eudora Welty, “Place in Fiction,” 1957 Food is the sensory landscape of Laos. In the city streets of Vientiane, smoke rises »