Skip to content

All Articles

“Between Creation and Devouring”: Southern Women Writers and the Politics of Motherhood

by Keira V. Williams

“So where are the voices of those millions of mothers who reject, resist, and redefine the maternal ideal?” In 1989, American audiences flocked to see the sweet southern dream that was Steel Magnolias. The film follows a multigenerational group of women through the wedding, marriage, pregnancy, and death of the young and beautiful Shelby, played »

B.B. King: September 16, 1925–May 14, 2015

by William R. Ferris

“Wherever there is suffering, wherever loneliness, wherever love is felt, your spirit, your voice, your music will be heard.” You touched our hearts in such enduring ways. I first heard “The Thrill Is Gone,” when I applied for Conscientious Objector status at Fort Bragg in December 1969. Your song bonded that moment in my memory, »

Guy Carawan: July 27, 1927–May 2, 2015

by Michael K. Honey

“No one I knew, not even Pete Seeger, could make that banjo ring with the sounds of the Appalachian mountains the way Guy could.” I first met musician-organizer Guy Carawan in the early 1970s at a gathering at Highlander Center, when it was located for a time in Knoxville, Tennessee (its current home is in »

Music

Rebel Rock

Lynyrd Skynyrd, Normaal, and Regional Identity

by Maarten Zwiers

“‘I am proud to be a farmer in the lowlands / A place where even squares can have a ball . . .’” In the spring of 1975, as in previous years, Lochem organized its annual music festival. Lochem is a Dutch village in the rural eastern Achterhoek region (literally, “the back corner”), nestled near »

John Elkington and the Remaking of Beale Street

by Cathryn Stout

“In 1988 and ’89 I started convincing people to come down there. [W]hen I got B.B. King, which took me seven years, that’s really when it completely turned.” John Elkington moved to Memphis, Tennessee, to start law school in 1970, a year after urban clearance claimed its first building on Beale Street. The twenty-two-year-old student »

The Saga of Ella May Wiggins

by Annette Cox

“‘Men say mill folks are rotten / an’ mean down to the core, / But if you seen your chillern starve, / wouldn’t you ask fer more?’” While doing research on textiles during the Great Depression, I found this poem about Ella May Wiggins on the March 8, 1932 editorial page of the Greensboro Daily »

A Black Man Tells His Son the Whole Story

by Lenard D. Moore

“For fifty years I sweat my dues, / wept salt liquor from the blues. / This story I tell wherever I go.” I never had the chance to stay in school.My daddy said “work,” and his word was rule.This story I tell wherever I go.

Southern Borderlands

Music, Migrant Life, and Scenes of a “Mexican South”

by Alex E. Chávez

“The strumming of stringed instruments booms out through the PA, elaborate fiddle melodies erupt, followed by the soaring voice of the poet-practitioner, embracing those present, scanning the scene before him . . . drifting, shaping, moving verses that elicit a chorus of gritos.” It’s a typical sweltering July evening in central Texas, close to ten »

Music

Helping Pave the Road to FAME

Behind the Music of Muscle Shoals

by Christopher Reali

“‘We took time, there was no set pattern to how we recorded. We might record all day, go eat a hamburger, and record ’til midnight. I mean we didn’t have no three-hour sessions. No such thing.’” During the mid-1950s, several amateur musicians living in and around the Muscle Shoals region of Alabama made a leap »

“You Have to Call Me the Way You See Me”

by Johnny Cash

“Look, I appreciate . . . all the praise and the glory, but it doesn’t change the way I feel about anything, really. I just do what I do and just hope the people enjoy it and just try to be myself in whatever I do.” On August 20, 2003, MTV News correspondent Kurt Loder »