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Standing Before the Shouting Mob: Lenoir Chambers and Virginia’s Massive Resistance to Public-School Integration by Alexander S. Leidholdt (Review)

by Carl Tobias

University of Alabama Press, 1997 Alexander Leidholdt’s Standing Before the Shouting Mob is primarily a biographical account of Lenoir Chambers, the editorial page editor of the Norfolk Virginian-Pilot. The book emphasizes the role that Chambers and the newspaper played in shaping public opinion during the half-decade period when Virginia practiced “massive resistance” to the desegregation of public schools. The »

Re-Searching Black Music by Jon Michael Spencer (Review)

by Michael Taft

The University of Tennessee Press, 1996 Jon Michael Spencer’s latest book may be taken as an extended introductory essay to his theory of theomusicology. His title invites us to “re-search” the subject and nature of black music; that is, Spencer asks his readers to begin again their consideration of African American musical traditions from a »

Hoi Toide on the Outer Banks by Walt Wolfram and Natalie Schilling-Estes (Review)

by Bruce Southard

University of North Carolina Press, 1997 Separated from the mainland by some twenty miles, Ocracoke Island is the site of one of the oldest villages in the inhabited islands of North Carolina’s Outer Banks. Founded in 1715, when the North Carolina Assembly passed a bill providing for settling and maintaing pilots at Ocracoke Inlet, an »

Tales of the South by William Gilmore Simms, edited by Mary Ann Wimsatt (Review)

by Johanna Nicol Shields

University of South Carolina Press, 1996 This new collection of a dozen tales by the Old South’s most famous writer, South Carolina’s William Gilmore Simms, seeks to broaden Simm’s modern audience by making available a selection of his short fiction in an attractive format. Editor Mary Ann Wimsatt has provided a useful chronology of Simms’s »

A New Life: Stories and Photographs from the Suburban South edited by Alex Harris, afterword by Allan Gurganus (Review)

by Alex Albright

W.W. Norton & Co., 1997 This elegant and lavish anthology, published by Double Take magazine in cooperation with Norton, boasts eleven suburb photographic portfolios intermixed with fine stories by several of the South’s best writers. It also features Allan Gurganus’s deft afterword, “Toward a Creation Myth of Suburbia.” What it lacks, however, prevents it from being the »