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Judge Thomas Ruffin and the Shadows of Southern History

by Sally Greene

“Ruffin was ideologically sympathetic to the Confederate cause and remained so to his death. ‘The power of the master must be absolute,’ Ruffin wrote in State v. Mann (1829), ‘to render the submission of the slave perfect.’ State v. Mann became the most notorious opinion in the entire body of slavery law.” A visitor to »

Front Porch: Memory

by Harry L. Watson

“As the Soviets used to joke about their own politically driven histories, ‘The present we know; the future is certain. Only the past is unpredictable.’” I got a childhood lesson in southern memory when my father asked if I knew what had happened in Reconstruction. I didn’t, of course, but Dad left an indelible (though »

“Truth is mighty & will eventually prevail”: Political Correctness, Neo-Confederates, and Robert E. Lee

by Peter S. Carmichael

“While northerners might appear comparatively apathetic about the memory of the Union cause, white southerners have been tenacious in searching for moral clarity in the past.” Jefferson Davis sent Robert E. Lee an unusual note after the battle of Gettysburg. The dispatch did not contain any presidential recommendations or requests, only a clipped article from »

“Personal in My Memory”: The South in Popular Film

by Godfrey Cheshire

“We have two imaginary kingdoms. One, ‘the South,’ exists primarily in song, oral traditions and folkways, native art and literature. The other, ‘Hollywood,’ creates mass-produced audiovisual entertainments for American and world audiences, and develops its own mythology.” If you’re ever inclined to doubt the importance of the South to American movies—or vice versa—consider that David »

Poem with a Refrain from Charley Patton

by Travis Smith

“. . . and now the guitar’s high note sings what he can’t sing it—” You hear him sing itwhen you come to strikethe matchand you catch a noseful of sulfurand the kindling starts to burn—

Johnny Cash and the Paradox of American Identity (Review)

by Jocelyn R. Neal

Indiana University Press, 2009 The mythology surrounding Johnny Cash includes two widely disseminated opinions. The first is that Cash is a walking contradiction in just about every aspect of his life, career, music, and reputation. The second is that Cash embodies the essence of American character and culture, summoning claims that he is an American »

The KISS Letter: An Encounter with Elvis

by Marcie Cohen Ferris, Eugenia Dettelbach Wicker

“The last time I kissed him he only had on half a shirt. He has a wonderful chest. I am really crazy about him now + have the funniest feeling in me, all over.” Along with talent and energy, Elvis brought a sexual charisma into the music business that his colleagues did not possess. Certainly »

Music

“Country Music Is Wherever the Soul of a Country Music Fan Is”

Opryland U.S.A. and the Importance of Home in Country Music

by Jeremy Hill

“Nixon’s visit (only five months before his resignation) was seen by national journalists and politicos to be a trip to one of the few places where he would still receive a warm reception, and it was quite warm indeed. Nixon took the stage, played two songs on the piano, and bantered with Roy Acuff.” As »

Backstage Stories: Wonders, Relics, and a Beer Fridge

by Daniel Coston

“The headlining band were nasty rogues, hitting on freakishly skinny underage chicks while I heard it all half asleep.” The backstage area has long held a fascination for music fans. There is a mystique about being “with the band” and allowed in places where fans rarely get to go. Despite the perceived glamour of backstage »

Bobby Rush: “Blues Singer–Plus”

by William R. Ferris

“I try to get the people in my hand, for them to love me, and once I get them in my hand, I can then tell them what I’ve come to tell them. And I come to tell them about the blues. It’s just like a preacher.” Bobby Rush’s musical career has taken him from »

Essay

“Redneck Woman” and the Gendered Poetics of Class Rebellion

by Nadine Hubbs

In 2004 Gretchen Wilson exploded onto the country music scene with “Redneck Woman.” The blockbuster single led to the early release of her first CD, Here for the Party, and propelled it to triple platinum sales that year, the highest for a debut in any musical category. “Redneck Woman” shot to No. 1 faster than any »

For the Records

How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

by Joshua Clark Davis

“Record selling certainly had its glamorous moments; retailers could regale younger customers with stories of nightlife and even rubbing elbows with famous musicians and celebrities.” “Records is a market that can be used to brighten the future of lots of black people with jobs and higher prestige all over the country,” Jimmy Liggins announced in »