“Dolly, where I come from would I have called you a hillbilly?” asked Barbara Walters in 1977. “If you had, it would have probably been very natural, but I’d have probably kicked your shins,” replied Dolly Parton, continuing, “We’re the ones you would consider the Li’l Abner people, Daisy Mae, and that sort of thing—they »
“It is about the aesthetic of Bourbon drinking in general and in particular of knocking it back neat . . . The joy of Bourbon drinking is not the pharmacological effect of C2H5OH on the cortex but rather the instant of the whiskey being knocked back and the little explosion of Kentucky U.S.A. sunshine in »
Cowboy Troy's Hick-Hop and the Transracial Country West
by Adam Gussow
“[S]uch fiddling and dancing nobody ever before saw in this world. I thought they were the true ‘heaven-borns.’ Black and white, white and Black, all hugemsnug together; happy as lords and ladies, sitting sometimes round in a ring, with a jug of liquor between them . . .” —Davy Crockett (1834) “There ain’t nothing like »
In the United States, why is wealth—especially financial wealth—held by white households so disproportionately and, in particular, by the most affluent ones? Racial wealth inequality is no accident of history. Rather, it is the intended result of the southern Democrats in Congress who controlled federal tax policy throughout most of the twentieth century. Beginning in »
“‘We took time, there was no set pattern to how we recorded. We might record all day, go eat a hamburger, and record ’til midnight. I mean we didn’t have no three-hour sessions. No such thing.’” During the mid-1950s, several amateur musicians living in and around the Muscle Shoals region of Alabama made a leap »
by Psyche Williams-Forson,
Tressie McMillan Cottom
Psyche Williams-Forson and Tressie McMillan Cottom sat down at the Sonja Haynes Stone Center for Black Culture and History on November 9, 2022, to discuss Williams-Forson’s new book, Eating While Black: Food Shaming and Race in America. Their conversation has been edited and condensed for publication. Tressie McMillan Cottom: I have to tell you. My family is »
University of Georgia Press, 1997 In 1847 while debate over the controversial War with Mexico raged in Congress, the decoration of Charles Bulfinch’s U.S. Capitol Building was nearing completion. John Trumbull’s four epic scenes of the revolutionary era had graced one side of the massive Rotunda for several decades, and three paintings featuring Columbus, Pocahontas, »
Saturday Night in Country Music: The Gospel According to Juke
by Jimmie N. Rogers,
Stephen A. Smith
The American South has always been a mythic land of contrast and juxtaposition—Black and white, rich and poor, mountaineer and planter, hospitality and violence, unregulated development and a sense of place, greed and grace, illiteracy and great writing—and it remains so today. One of the more intriguing paradoxes is the image of the South as »
Limb Loss, Difference, and Disability Spectacle in Southern Roots Music
by Simon Buck
Summer 1964. Downtown Charlotte, North Carolina. Jim Scancarelli, staff member at local radio and television station WBT, spots “Uncle” Frank Rayborn sitting with his banjo on a poplar-wood chair on the sidewalk of South Tryon Street. He rushes to his office to grab a tape recorder. For this banjoist is truly unique: he only has »