Threads would cling to them,pants, purses, yokes of dresses,as they walked or trotted across the parking lot, releasedby the four o’clock bell. In the building at my backI could feel the throb of second shiftworking the fine strandsthat, which was it?, held them upor held them back from better lives. Country tunes trailed them out »
Though naturally I love them they are a monstrosity, acute and unruly,already pig-headed on the way from the airport to come and infect me with what kind of mayonnaise is better than Hellmann’s and which of usgot the new bike versus who crashed the old and who’s drinking too much versus who ought to get »
Now they say the Internet is being attacked by sharks.They say. Them. You know who They are,malicious backlit figures in high- backed chairs,wearing jewel- crusted gold rings, stroking white cats.
It starts with the lamp that lamped our night our dirt. Cause of this (wear-balded) red-mud ring going glow. The old ever-voice (with the tear through it) intonation, riveting. Souls and appetites (from holler, brink, and gully) lured and drawn. The story-man encircling us binding us by lard-torch and ditty. So. In the beginning. And »
For some cultured southerners, Southern Cultures has published very little when it comes to Arts & Letters. Sure, we’ve shared a story here and there, and we’ve certainly printed author interviews and scholarly analyses, but our forthcoming 21st-century Fiction Issue (available October) marks our first full plunge into the wellspring of creative writing that surrounds »
While researching his 1885 biography of Edgar Allan Poe for Houghton Mifflin’s American Men of Letters series, George E. Woodberry discovered that Poe had enlisted in the U.S. Army in 1827 under the name of Edgar Perry. As is now well known, Poe was shipped to Sullivan’s Island, South Carolina, a barrier island on Charleston »
“The subtle yet significant distance established between the speaker of this persona poem and its author asks us here at the beginning of the 21st century whether much has changed.” Under the flowering chinaberrywe parked and closed our eyesto the warm night, cool enough thenfor scent to claim our senses.
Autumn’s Sidereal, November’s a Ball and Chain After the leaves have fallen, the sky turns blue again,Blue as a new translation of Longinus on the sublime.We wink and work back from its edges. We walk aroundUnder its sequence of metaphors,Looking immaculately up for the overlooked.Or looking not so immaculately down for the same thing.If there’s nothing »
“Still, who knows where the soul goes . . . after the light switch is turned off, who knows?” I came to my senses with a pencil in my handAnd a piece of paper in front of me.To the yearsBefore the pencil, O, I was the resurrection.