Poetry
What shadows my happiness? The boy and calf so linked by a rope seem to forget all else. Grass recedes to the horizonand chickens roam free. Hay stacked richly as memory bulges mountainously on the sky.
“In such heat, this mission sickened him. The killing had been simple, it felt country-necessary, country-right.” And, verily, the head did weigh twenty-seven pounds. And to hold it before him—as you would lift a lantern—costs the young David much strength. Was not his day’s strength already well used by killing so great a warrior? Trumpets »
Hill Street Press, 1999 Each reproduction in The Lines Are Drawn is a gem in itself, documenting such familiar themes as wartime inflation and scarcity in the Confederacy, northern Copperheadism, and the iconographic rise of Abraham Lincoln and Uncle Sam. In all, Kristen M. Smith has collected 138 cartoons, comics, and caricatures related to the »
“Southern paintings showed African Americans as largely dehumanized caricatures, Black stereotypes rather than distinct individuals.” From the 1840s through World War II, paintings by artists working in the South for the most part mirrored images fashioned throughout America. These paintings were different from those created in other parts of the country, however, in that they »
“Something akin to a bitter culture war took place each time I would bring out a sample of those decidedly un-Yankee Gee’s Bend quilts. ‘They don’t look right,’ we were told. ‘Who would want to sleep under something like this?’” The incredible quilts of Gee’s Bend, Alabama, true masterpieces of American folk art with their »
“‘What I wrote seemed to me more essentially myself than anything I did or said.’” During his life and since his death in 1942, many people wanting to understand the American South have looked to William Alexander Percy. Understanding the man, it has seemed, might help us understand the region. Born into a prominent southern »
“Against the brutal backdrop of its own history Angola now poses itself as a progressive prison.” When I entered the grounds of Louisiana State Penitentiary, I saw a maze of rawhide belts and purses, paintings reminiscent of a back aisle thrift store, and elaborate wooden objects that evoked the country crafts of my southern childhood. »
“In the deep peripheral ravines settled by the descendants of local sharecroppers, The Home of the Double-Headed Eagle shoots up from a long row of kudzu-covered shotgun shacks and cracked pavement to entangle passerby.” The Gibraltar of the Confederacy erupts gloriously from the southern tip-edge of the flat Delta flood plain to guard the lush »
“‘On a shelf behind the speaker’s desk, was a marble bust, on the base of which in relief were the words “John C. Calhoun.” Poised on its crown, was an inverted inkstand, whose contents had descended in copious streams over the face . . . Under the name, in pencil, was written this explanatory clause. »
“Simmons, Aycock, and Daniels used their influence, oratorial skills, and the press to create a rape scare, demonize and humiliate black men and women, spread a violent white supremacist ideology, and reclaim the North Carolina Legislature for the Democratic Party.” In the 1890s, the economic fortunes of farmers were dashed when the cotton market collapsed. »
“I drilled until the book was lace.” The gaps between experience and history are filled with unauthorized cosmologies. Worldview. Origins of myth. While artifacts of war are found in pawnshops, artifacts of survival are found in cosmology. Through my work, I chart the southern imaginary—from the Culture Wars back to Reconstruction, from a Food Lion »