“Photographers and collectors work from cousin impulses.” Documentary is kindred to collecting. Photographers and collectors work from cousin impulses. As a young girl, I went on a family vacation to Arizona. We did a “gold mining” tourist expedition and with untanned skin scooped our strainers in the streams. I noticed a rock in the water, »
Creating Dangerously in The Land Where the Blues Began
by Tyler DeWayne Moore
“Worth Long’s lifelong quest to preserve the creativity of those who sang, hollered, prayed, played, and lived the blues, dangerously, was one of his greatest contributions as an activist.” In the fall of 1967, folk music columnist Israel “Izzy” Young expressed his enthusiasm for the emergence of more black folklorists who snatched “out of incorporeal »
David Williams takes a break from changing the oil on a customer’s car at Abney’s Store in Sunflower, Mississippi, to walk over and inquire about the canvas I’ve strung up along the periphery of the service station. “I’m photographing people at gas stations around the South,” I explain. “Would you like to have your picture »
“The ruins remain overgrown with castor plants, which can be, alternately, an excellent source of sustenance if cooked properly or a natural source of cyanide.” The traditional Bahamian response to the request for someone’s name, upon introduction, is typically their name preceded by “I name.” Such a title seemed fitting for this project after I »
1. Abiding Metaphors When I was three years old, I nearly drowned in a hotel pool in Mexico. My earliest memory is of what seemed a long moment, as if I were suspended there, looking up through a ceiling of water, the high sun barely visible overhead. I do not recall being afraid as I »
“The documentary artist attempts, however imperfectly, to do something about what they witness, how they feel, what they are compelled to say.” For many years I’ve forbidden students in my photography courses from coming to class and talking about an image they saw but didn’t take. In a class built around the making of pictures, »
In the late 1890s, self-taught photographer Hugh Mangum (1877–1922) began riding the rails as an itinerant portraitist, traveling primarily in North Carolina and Virginia. Mangum worked during the rise of the segregationist laws of the Jim Crow era. Despite this, his portraits reveal a clientele that was both racially and economically diverse, and show lives »
In the short story “Knowing He Was Not My Kind Yet I Followed,” Barry Hannah describes a gay Confederate soldier’s infatuation with Jeb Stuart, under whom he serves. It’s a hopeless and doomed predicament. To my mind, it’s a kind of peculiar faith in an unachievable outcome—much like the faith in political solutions to the »
Join us (rain, Hurricane Dorian, or shine) TONIGHT, Thursday, September 5 at 5:30 PM, for the opening reception of “New Orleans Second Line Parades,” on view through December 2019 at the Center for the Study of the American South. On roughly forty Sundays a year, the hardworking members of New Orleans Social Aid and Pleasure »
“These landscapes hold the remnants of five thousand distant voices.” If all photographs are abandonings, as the American critic Henry Allen once wrote, then how might we view photographs of lynching sites? Located for the most part in the geographic margins and the shadows of our collective memory, these landscapes hold the remnants of five »
Representations of older transgender people are nearly absent from our culture and those that do exist are often one-dimensional. For more than five years, we traveled throughout the United States creating To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults, which culminated in a fine art exhibition and book »
Most photographs are born in a fraction of a second. They show a small piece of the visible world as seen from a particular vantage point at a particular moment in time. They reflect an instantaneous present sandwiched between a fixed past and an unknown future. Photographs draw from a world that already exists; they »